AUB and Ras Beirut in One Hundred and Fifty Years of Photographs

​​Eighteen-year-old Gladys Mouro left her home in New Hampshire for the American University of Beirut, where she soon became a first-rate registered nurse. But in her pursuit of adventure, Lebanon gave her more than she had ever bargained for. Less than a year after her arrival, Lebanon's civil conflict erupted and swept her into fifteen years of dealing with the tragic human consequences of war in an understaffed and unprotected hospital. This book is a personal record of living and working in a war-torn land; it is also a story of the noble survival of an institution – the American University of Beirut Medical Center and the courageous people who, against all odds, kept it alive and functioning throughout the Lebanese Civil War.

​​​This is the story of the Lewis Affair at the American University of Beirut (then the Syrian Protestant College). When Professor Edwin Lewis mentioned Charles Darwin in the course of a commencement address, there were drastic ramifications, including faculty resignations, student suspensions, the first student protest in the Arab World, a subsequent drop in student enrollment, and the imposition of a Declaration of Principles on AUB faculty members. It represents a momentous event in the history of the American University of Beirut, and its reverberations were felt in intellectual circles throughout the Arab world. A foreword by former AUB president John Waterbury outlines how the issues underlying the Lewis Affair, including the controversy generated by Charles Darwin's theory of evolution, the struggle between conservative and liberal elements of academia, and the question of academic freedom, remain pertinent to this day.

Lead, Innovate, Serve: A Visual History of the American University of Beirut’s First One Hundred and Fifty Years represents a collaborative expression of love for AUB in celebration of its 150th anniversary. This elegant collection of images effectively walks the reader, year by year, through a selection of key elements and moments in the University’s history. The photographs are organized chronologically into five sections entitled “Founding 1862–1901,” “Taking Root 1902–1948,” “Academic Renaissance 1949–1970,” “Turmoil and Resilience 1971–1996,” and “A New Millennium 1997–2016.” The sections are accompanied by short essays relating to each period of the University’s history and by profiles of AUB’s presidents and numerous history makers who have contributed to the impact that the American University of Beirut has had both in Lebanon and beyond. We believe that Lead, Innovate, Serve will be treasured by all who have entered the gates of the University. ​ Proceeds from sales of the book go to the 150 for 150 Scholarship Fund​.

​In May 1873, Mrs. Abby Bliss and her four children left Beirut and returned to Amherst, Massachusetts for reasons of health and the children's education. This book contains letters written to them between 1873 and 1874 by Abby's husband, Daniel Bliss, the first president of the Syrian Protestant College, later the American University of Beirut. Written in diary form just seven years after the founding of the College, the letters reveal the excitement of the almost completed construction of College Hall, the frustrations and achievements of their fourteen months of separation, and fascinating information about daily life and the politics of the time. They show Daniel Bliss as a loving family man missing his wife and children while enthusiastically dedicated to the task of building the College.

The first book of its kind in Lebanon, Mute Movements, documents the emergence of a performance art scene in Lebanon. The book illustrates the collective work of students and artists under the direction of Cornelia Krafft, former assistant professor at AUB. Captured in high-quality photographs and narrated through the performers' own words, Mute Movements invites the reader to embark on an inspirational journey through modern-day Lebanon as seen through the eyes of these young artists striving to confront their internal and external challenges on the personal, national, and regional levels. Their “mute" performances, situated in provocative locations, demanded attention and triggered debate. Played out in unorthodox settings – abandoned buildings, war ruins, along the sea-shore, in city streets and run-down cinemas – these performances required almost as much of the spectators as of the players with their fundamental questioning of issues of collective relevance: social responsibility, personal and regional identity, cultural heritage, censorship, conflict, freedom, and repression. Across the pages of the book, each performance unfolds in documentary-like fashion. The underlying theme, the evolution of performance art in Lebanon across five fertile years of artistic endeavor, lays the groundwork for years to come. While the focus is Lebanon and its youth, the bigger picture is a work in progress which is applicable far beyond the borders of one small country, making Mute Movements a valuable as well as highly enjoyable reference work. ​The overall minimalistic aesthetic and design of the book envelopes an extraordinary sample of strong artistic encouragement through contemporary education in the fields of performance, set design, and visual arts; the result is a document of international importance.

​Founded in 1866, the American University of Beirut (AUB) has had a positive and transformative impact on Lebanon, the Middle East, and the world. Published on the occasion of AUB's 150th anniversary, this commemorative volume serves as a lasting testimony to the extraordinary influence of AUB in its first 150 years and sets the stage for its future. This volume examines AUB's history from diverse perspectives and points of view. It deals with key moments in the early history of the University, and with its current position as a local agent with global concerns, also focusing on its complex relations with the USA and the rest of the world. Some of the chapters highlight salient personalities and important constituencies who have contributed to the legacy of AUB. Parts of the book also focus on the campus and its location within Ras Beirut, as well as their resulting interaction and mutual impact over years of growth and transformation. The book is organized according to five themes: Early History, AUB, the USA, and the World, Space, Academic/Scientific Contributions, and Salient Personalities​

​AUB's 125th anniversary celebrations in 1992 coincided with the beginnings of Lebanon's return to peace after sixteen years of civil war, throughout which AUB continued to function. This book is a special anniversary tribute to the founders of the university, originally the Syrian Protestant College, who laid the foundations on which the college could grow and develop into one of the leading institutions of higher education in the Middle East. The book documents seven of the original faculty: Daniel Bliss, the first president; David Stuart Dodge; Edwin R. Lewis; Harvey Porter; George E. Post; Cornelius Van Dyck; and John Wortabet. Sections in English and Arabic include speeches, official papers, letters, and articles – some contemporary, others more recent – that demonstrate the values and principles these founding fathers sought to put into practice.

This unique photographic compilation, taken from long-forgotten glass plates, was published in commemoration of AUB's 140th anniversary, and depicts scenes from Lebanon, Syria, and AUB in the late nineteenth and very early twentieth centuries, when Dr. Franklin T. Moore taught at the Syrian Protestant College (now the American University of Beirut). Moore's camera captured the seemingly vast size of the new campus, the undeveloped northeastern mountains, and an unpaved Bliss Street, in sharp contrast to the growth and changes that have taken place since then. The volume includes an introduction by former AUB president John Waterbury, a socio-historical account of Ras Beirut and AUB by Professor Samir Khalaf, a history of the Moore Collection by the artist Helen Khal, a description of the restoration process along with comments on Moore's photographic techniques by Professor Marwan El-Sabban, and a brief history of the AUB Medical Photography Department by Professor Emeritus Raif Nassif.