The Mahmoud Kahil Award is an award program under the Mu'taz & Rada Sawwaf Arabic Comics initiative at the American University of Beirut that aims to promote comics, editorial cartoons and illustrations in the Arab world through the recognition of the rich talent and creative achievement of comics artists, cartoonists and illustrators in the region. This program was established in 2014 upon the initiative of Mr. Mu’taz Sawwaf to honor and perpetuate the legacy of the late Mahmoud Kahil, one of the leading cartoonists and caricaturists of the Arab world, and a former AUB graduate.
This book is an account of the efforts of Dr. Edwin Lewis, a professor at the Syrian Protestant College (now the American University of Beirut) in the late nineteenth century to modify the system of Western musical notation to fit Arabic music (and more specifically, church music). In this work, Shafik Jeha addresses how musical notation was adapted to correspond with the right-to-left direction of Arabic musical texts, and includes the reactions of some Arab composers to the revised method of notation. How did this new method of music notation appear on the musical scene? How important was it to musicians in the Arab world? How did it spread? What problems did it face? What were the consequences of the new musical notation method? What were its advantages and its disadvantages? Shafik Jeha answers all these questions and many more in this book, which is divided into three parts: the first deals with the emergence of Arabized musical notation, the second addresses the development of this new type of notation, and the last elaborates on its dissemination.
This volume expresses a range of perspectives through twenty-eight papers organized into seven thematic sections: American's Orient, Gendered Encounters, the Middle East in America, US Power and US Policies, Messianic Encounters, Encounters in Writing and Landscape, and Faces of American Studies. This book results from the proceedings of the First International Conference Sponsored by the Prince Alwaleed Bin Talal Abdulaziz Alsaud Center for American Studies and Research at the American University of Beirut.
The author presents the English poet, Lord Byron, in a new light, focusing on his attraction to the East (specifically Greece, Turkey, and Albania), to Muslims, in general, and to Islam and its culture. The analysis and discussion of the poems are accompanied by a close examination of Byron's journals and letters, showing that Byron's intellectual and poetic development was closely tied to his experiences in and knowledge of the East.
This is a collection of papers from a conference entitled “Political Identity in the Arab East in the Twentieth Century," hosted by the Center for Arab and Middle East Studies of the American University of Beirut. Scholars and students alike with an interest in the Middle East will find the topics treated, the perspectives adopted, and the conclusions of continuing interest and pertinence. The volume includes contributions from the following authors: Ahmad Dallal, David Commins, Thomas Philipp, Samir Seikaly, Rashid Khalidi, Fred Lawson, Aziz Al-Azmeh, Roger Owen, and Hazem El-Beblawi.