Products tagged with 'humanities'

​Founded in 1866, the American University of Beirut (AUB) has had a positive and transformative impact on Lebanon, the Middle East, and the world. Published on the occasion of AUB's 150th anniversary, this commemorative volume serves as a lasting testimony to the extraordinary influence of AUB in its first 150 years and sets the stage for its future. This volume examines AUB's history from diverse perspectives and points of view. It deals with key moments in the early history of the University, and with its current position as a local agent with global concerns, also focusing on its complex relations with the USA and the rest of the world. Some of the chapters highlight salient personalities and important constituencies who have contributed to the legacy of AUB. Parts of the book also focus on the campus and its location within Ras Beirut, as well as their resulting interaction and mutual impact over years of growth and transformation. The book is organized according to five themes: Early History, AUB, the USA, and the World, Space, Academic/Scientific Contributions, and Salient Personalities​

The first book of its kind in Lebanon, Mute Movements, documents the emergence of a performance art scene in Lebanon. The book illustrates the collective work of students and artists under the direction of Cornelia Krafft, former assistant professor at AUB. Captured in high-quality photographs and narrated through the performers' own words, Mute Movements invites the reader to embark on an inspirational journey through modern-day Lebanon as seen through the eyes of these young artists striving to confront their internal and external challenges on the personal, national, and regional levels. Their “mute" performances, situated in provocative locations, demanded attention and triggered debate. Played out in unorthodox settings – abandoned buildings, war ruins, along the sea-shore, in city streets and run-down cinemas – these performances required almost as much of the spectators as of the players with their fundamental questioning of issues of collective relevance: social responsibility, personal and regional identity, cultural heritage, censorship, conflict, freedom, and repression. Across the pages of the book, each performance unfolds in documentary-like fashion. The underlying theme, the evolution of performance art in Lebanon across five fertile years of artistic endeavor, lays the groundwork for years to come. While the focus is Lebanon and its youth, the bigger picture is a work in progress which is applicable far beyond the borders of one small country, making Mute Movements a valuable as well as highly enjoyable reference work. ​The overall minimalistic aesthetic and design of the book envelopes an extraordinary sample of strong artistic encouragement through contemporary education in the fields of performance, set design, and visual arts; the result is a document of international importance.

​​​This is a collection of papers presented at a 2008 conference sponsored by the American University of Beirut's Sheikh Zayid bin Sultan Chair of Islamic Studies of the Center for Arab and Middle Eastern Studies and the Margaret Weyerhaeuser Jewett Chair of Arabic of the Department of Arabic and Near Eastern Languages. The volume includes sixteen articles by scholars from the United States, the United Kingdom, Germany, and Lebanon, and is divided into two parts: the first dealing with classical and premodern poetry, and the second with modern and contemporary poetry, with three articles focusing on the work of the poet Mahmoud Darwish. It serves to better illuminate some aspects of the relationship between the fields of poetry and history, and represents a significant contribution to the field of Arabic and Middle Eastern Studies.

Major academic contributions on the subjects of classical Arabic literature and Arab history were published in honor of the eminent Arab scholar Ihsan ʿAbbas on the occasion of his sixtieth birthday. Fifty-six papers by distinguished scholars from many countries make up the volume.

Khalil Hawi is accepted by critics as one of the leading poets of the Arab world, and this admirable translation by Fuad Said Haddad opens a door to his writing for those who do not read Arabic. The book also aims to provide readers of English with a demonstration of new trends in Lebanese poetry, hence the two poems by Nadeem Naimy, here translated for the first time. The English translations of the poems are printed alongside the Arabic originals. ​

​Kahlil Gibran's work is well known and has been widely published in many languages. The substance of this book, however, is contained in the photographs of original manuscript pages of Gibran's writing. Some are parts of published works such as The Prophet, but the book also contains four fragments published here for the first time. Sections begin with a description of the manuscript, and there is a transcription of each page opposite its photograph. These are the first Gibran manuscripts, apart from his letters, to be published in this way. They are of great interest because they demonstrate the process by which Gibran refined his writings into their final form.