Products tagged with 'lebanon'

​​Eighteen-year-old Gladys Mouro left her home in New Hampshire for the American University of Beirut, where she soon became a first-rate registered nurse. But in her pursuit of adventure, Lebanon gave her more than she had ever bargained for. Less than a year after her arrival, Lebanon's civil conflict erupted and swept her into fifteen years of dealing with the tragic human consequences of war in an understaffed and unprotected hospital. This book is a personal record of living and working in a war-torn land; it is also a story of the noble survival of an institution – the American University of Beirut Medical Center and the courageous people who, against all odds, kept it alive and functioning throughout the Lebanese Civil War.

This unique photographic compilation, taken from long-forgotten glass plates, was published in commemoration of AUB's 140th anniversary, and depicts scenes from Lebanon, Syria, and AUB in the late nineteenth and very early twentieth centuries, when Dr. Franklin T. Moore taught at the Syrian Protestant College (now the American University of Beirut). Moore's camera captured the seemingly vast size of the new campus, the undeveloped northeastern mountains, and an unpaved Bliss Street, in sharp contrast to the growth and changes that have taken place since then. The volume includes an introduction by former AUB president John Waterbury, a socio-historical account of Ras Beirut and AUB by Professor Samir Khalaf, a history of the Moore Collection by the artist Helen Khal, a description of the restoration process along with comments on Moore's photographic techniques by Professor Marwan El-Sabban, and a brief history of the AUB Medical Photography Department by Professor Emeritus Raif Nassif.

Kamal Salibi is primarily renowned for his monumental contributions to the history of Lebanon. Yet his scholarly legacy extends well beyond Lebanon to topics that span the Middle East from biblical to contemporary times. This collection of twenty-three papers, written in Dr. Salibi's honor and memory, similarly covers a range of subjects that touch upon his interests. They include aspects of ancient, medieval, and modern Arabic/Islamic and Middle Eastern history, literature, and art, and are arranged in four sections: (a) Kamal Salibi as Teacher and Historian; (b) Lebanese, Ottoman, and Arab History; (c) Islamic Studies; and (d) Syriac Studies.

This book is an account of the efforts of Dr. Edwin Lewis, a professor at the Syrian Protestant College (now the American University of Beirut) in the late nineteenth century to modify the system of Western musical notation to fit Arabic music (and more specifically, church music). In this work, Shafik Jeha addresses how musical notation was adapted to correspond with the right-to-left direction of Arabic musical texts, and includes the reactions of some Arab composers to the revised method of notation. How did this new method of music notation appear on the musical scene? How important was it to musicians in the Arab world? How did it spread? What problems did it face? What were the consequences of the new musical notation method? What were its advantages and its disadvantages? Shafik Jeha answers all these questions and many more in this book, which is divided into three parts: the first deals with the emergence of Arabized musical notation, the second addresses the development of this new type of notation, and the last elaborates on its dissemination.

This book showcases the work of twenty featured artists from the first group exhibition of contemporary ceramists in Lebanon, and thus is the first of its kind. Innovation in fine arts at AUB goes back at least to 1929, when the University hosted first solo exhibition in Lebanon with the work of Lebanese artist Mustafa Farroukh. ​This is a publication of the Project Steering Committee for an Arts Center at AUB.

​This book represents a dialogue between image and word, and experience and thought. In this sequence of twenty pairs of images and texts spanning forty years of the artist's personal growth, it offers readers a rare view of the nature of expression. The intuitive choice of couplets and the way they flow reveal singular aspects of the creative process. The book invites readers on a journey aimed at understanding art through the transformative shift that comes from combining experience and thought, looking within while also observing from without.​