AUB Press

These are the proceedings of a January 1983 symposium organized by the American University of Beirut and the Goethe Institute at a midpoint in the Lebanese Civil War when the Beirut city center was being cleared of the destructive effects of the war in preparation for reconstruction. The ten papers address the damage sustained during the first part of the civil war, and make recommendations for reconstruction. Lessons from the post-World War II reconstruction of Europe and an overview of Beirut's previous history are included. This publication contains thirteen illustrations, four maps, and twenty-one photos.​

​​This book incorporates the descriptive findings of a survey conducted by the Faculty of Health Sciences at the American University of Beirut as part of its efforts to establish a population laboratory in the city of Beirut. The Lebanese Civil War led to the disintegration of the crude health information system available prior to that time; thus this survey generates a unique dataset about a city and its population at a midpoint in the war. By recording the methodological and organizational issues faced during the war, the book serves as a reference source for courses and other training activities in health research. Its findings will interest public health workers, ministries of health, and the staffs of a variety of international agencies.

AUB and Ras Beirut in 150 Years of Photographs began as a photographic exhibition organized by AUB's Neighborhood Initiative and Jafet Library in celebration of the university's 150th anniversary. The images, capturing so many of the changing faces of the university and its neighborhood, were drawn from a wide range of sources including both private and public collections, and various institutional archives. Two years on, this book represents an extended appreciation of the connections and the relationship between the American University of Beirut and its community over the past 150 years. ​The photographs reflect a diverse mix of people and place, focusing on views of Ras Beirut running along the sea-front from Raouche to Jal-al-Bahr and along the Corniche to Manara and 'Ayn al-Mreisseh. It also follows Bliss and Hamra streets, and includes views of the American University of Beirut campus as it has evolved through the years. The book's preface outlines the process through which the photographs are arranged as well as the book's evolution from the original exhibit. AUB and Ras Beirut in 150 Years of Photographs represents a beautiful documentation of the changing face of the neighborhood and its evolution over time.

​​Eighteen-year-old Gladys Mouro left her home in New Hampshire for the American University of Beirut, where she soon became a first-rate registered nurse. But in her pursuit of adventure, Lebanon gave her more than she had ever bargained for. Less than a year after her arrival, Lebanon's civil conflict erupted and swept her into fifteen years of dealing with the tragic human consequences of war in an understaffed and unprotected hospital. This book is a personal record of living and working in a war-torn land; it is also a story of the noble survival of an institution – the American University of Beirut Medical Center and the courageous people who, against all odds, kept it alive and functioning throughout the Lebanese Civil War.

​​This volume expresses a range of perspectives through twenty-eight papers organized into seven thematic sections: American's Orient, Gendered Encounters, the Middle East in America, US Power and US Policies, Messianic Encounters, Encounters in Writing and Landscape, and Faces of American Studies. This book results from the proceedings of the First International Conference Sponsored by the Prince Alwaleed Bin Talal Abdulaziz Alsaud Center for American Studies and Research at the American University of Beirut.

This book is an account of the efforts of Dr. Edwin Lewis, a professor at the Syrian Protestant College (now the American University of Beirut) in the late nineteenth century to modify the system of Western musical notation to fit Arabic music (and more specifically, church music). In this work, Shafik Jeha addresses how musical notation was adapted to correspond with the right-to-left direction of Arabic musical texts, and includes the reactions of some Arab composers to the revised method of notation. How did this new method of music notation appear on the musical scene? How important was it to musicians in the Arab world? How did it spread? What problems did it face? What were the consequences of the new musical notation method? What were its advantages and its disadvantages? Shafik Jeha answers all these questions and many more in this book, which is divided into three parts: the first deals with the emergence of Arabized musical notation, the second addresses the development of this new type of notation, and the last elaborates on its dissemination.