This Is the Time. This Is the Record of the Time is a hybrid anthology of commissioned art and written works on the subject of capturing time and temporality, representing a collaboration between the American University of Beirut Art Galleries and the Stedelijk Museum in Amsterdam. There is a common perception that time is accelerating. The need to pause, slow down, and regain ground has become a necessity, to grasp our “Runaway World," as Anthony Giddens aptly terms it. Critically evaluating this precious commodity, time, with thoughts grounded philosophically, historically, and in terms of media theory allows for a more in-depth discussion on the perception of time and how the act of recording it affects its perception and treatment. The experience of time is mediated by the technologies that record it. Quoting the introduction, “Thinking about Time: Proposition" by one of the editors, Angela Harutyunyan (p. 23), the book proposes “that to think time and to experience the time of thinking makes oneself out of joint with time or, rather, with the notions of temporality that dominate our epoch."
In commemoration of the first 20 years of the Graphic Design Program at the American University of Beirut, this book profiles the professional work of many of its graduates, whose pursuit of excellence in design has transformed the face of the region.
Rusted Radishes: Beirut Literary and Art Journal was founded in 2012 with the intention of creating a space for both emerging and established writers who have a connection to Lebanon. Over the years, we have published diverse work from bordering countries, the diaspora, and beyond. As we evolved, we opened the submissions to people connected to the MENA region. We do not insist on creating geographic borders for submissions, but we do acknowledge that Beirut's revolving door of influences and cultures, its history, and its perch on the Mediterranean, is certainly at the heart of a unique convergence of voices.
Rusted Radishes: Beirut Literary and Art Journal was founded in 2012 with the intention of creating a space for both emerging and established writers who have a connection to Lebanon. Over the years, we have published diverse work from bordering countries, the diaspora, and beyond. As we evolved, we opened the submissions to people connected to the MENA region. We do not insist on creating geographic borders for submissions, but we do acknowledge that Beirut's revolving door of influences and cultures, its history, and its perch on the Mediterranean, is certainly at the heart of a unique convergence of voices.
Rusted Radishes: Beirut Literary and Art Journal was founded in 2012 with the intention of creating a space for both emerging and established writers who have a connection to Lebanon. Over the years, we have published diverse work from bordering countries, the diaspora, and beyond. As we evolved, we opened the submissions to people connected to the MENA region. We do not insist on creating geographic borders for submissions, but we do acknowledge that Beirut's revolving door of influences and cultures, its history, and its perch on the Mediterranean, is certainly at the heart of a unique convergence of voices.
Rusted Radishes: Beirut Literary and Art Journal was founded in 2012 with the intention of creating a space for both emerging and established writers who have a connection to Lebanon. Over the years, we have published diverse work from bordering countries, the diaspora, and beyond. As we evolved, we opened the submissions to people connected to the MENA region. We do not insist on creating geographic borders for submissions, but we do acknowledge that Beirut's revolving door of influences and cultures, its history, and its perch on the Mediterranean, is certainly at the heart of a unique convergence of voices.