Products tagged with 'american university of beirut'

This is a collection of papers from a conference entitled “Political Identity in the Arab East in the Twentieth Century," hosted by the Center for Arab and Middle East Studies of the American University of Beirut. Scholars and students alike with an interest in the Middle East will find the topics treated, the perspectives adopted, and the conclusions of continuing interest and pertinence. The volume includes contributions from the following authors: Ahmad Dallal, David Commins, Thomas Philipp, Samir Seikaly, Rashid Khalidi, Fred Lawson, Aziz Al-Azmeh, Roger Owen, and Hazem El-Beblawi.

This is a collection of papers from a conference entitled “Political Identity in the Arab East in the Twentieth Century," hosted by the Center for Arab and Middle East Studies of the American University of Beirut. Scholars and students alike with an interest in the Middle East will find the topics treated, the perspectives adopted, and the conclusions of continuing interest and pertinence. The volume includes contributions from the following authors: Ahmad Dallal, David Commins, Thomas Philipp, Samir Seikaly, Rashid Khalidi, Fred Lawson, Aziz Al-Azmeh, Roger Owen, and Hazem El-Beblawi.

This volume comprises the proceedings of the 4th international conference of The Prince Alwaleed Bin Talal Bin Abdulaziz Alsaud Center for American Studies and Research (CASAR) at the American University of Beirut. Its twenty-two articles explore various forms of transnational communication and politics as articulated through performance art, hip-hop, music videos, poetry, and literature. They address the mutually dependent relationship between the US and the Arab world, and how American activity in the region is viewed from the perspective of the Arab world.​

This book is an account of the efforts of Dr. Edwin Lewis, a professor at the Syrian Protestant College (now the American University of Beirut) in the late nineteenth century to modify the system of Western musical notation to fit Arabic music (and more specifically, church music). In this work, Shafik Jeha addresses how musical notation was adapted to correspond with the right-to-left direction of Arabic musical texts, and includes the reactions of some Arab composers to the revised method of notation. How did this new method of music notation appear on the musical scene? How important was it to musicians in the Arab world? How did it spread? What problems did it face? What were the consequences of the new musical notation method? What were its advantages and its disadvantages? Shafik Jeha answers all these questions and many more in this book, which is divided into three parts: the first deals with the emergence of Arabized musical notation, the second addresses the development of this new type of notation, and the last elaborates on its dissemination.

This book showcases the work of twenty featured artists from the first group exhibition of contemporary ceramists in Lebanon, and thus is the first of its kind. Innovation in fine arts at AUB goes back at least to 1929, when the University hosted first solo exhibition in Lebanon with the work of Lebanese artist Mustafa Farroukh. ​This is a publication of the Project Steering Committee for an Arts Center at AUB.

​This collection of Zaki Nassif's writings are reproduced from his personal papers, a part of the Zaki Nassif archives, now held in the Special Collections of AUB's Jafet Library.​​